Kick Ass: Take it or leave it

Inspired by his love of comic books, high schooler Dave Lizewski decides to become a masked super hero himself named Kick Ass. Soon he becomes a media sensation and he inspires others to do as he has done. But his fame also makes him the target of the evil crime boss Frank D'Amico, who wants him dead.

The bright side to Kick Ass was the story of Dave Lizewski (or Kick Ass as he is known to his adoring fans). His intentions in taking up crime fighting were pure (i.e. to do good) and provided the back bone for the story. It was absorbing to watch him wrestle with the problems one always thought heroes like Spider - Man or Batman had, but never got the chance to explore on the big screen. It made him a character one could easily identify with and root for. The film got sketchy however when Kick Ass' story was hijacked by that of Big Daddy and Hit Girl. Inspired by Kick Ass, these two decided to don costumes as well and pursue vengence at one specific target, crime boss Frank D'Amico (an underused Mark Strong). Big Daddy and Hit Girl were not burdened with the sense of "doing the right thing" like Kick Ass, rather they simply went about their business in an ultra-violent fashion that mirrored the other comic book anti-heroes like The Punisher. The most unnerving part of their pursuit was the fact that Hit Girl was 11 years old, and doing and saying things that would make even The Punisher blush. It was almost surreal to see her whirl around in those John Woo inspired slow motion shots, guns blazing, spouting curse words but after a while, it became almost abhorrent and made one wish the film had continued to focus on Kick Ass' internal conflict. Instead the filmmakers tried to mask the holes in the plot with the insanity of more shoot outs and four letter bombs involving a girl who should have been more worried about getting the latest Hannah Montana cd instead of storming the strong hold of the city's most nefarious crime boss.

There was a time, years ago, when I would have lauded Matthew Vaughn's Kick Ass as a well deserved jolt to the comic book adaptation genre for it did not shy away from breaking the well worn standards of said genre  in order to bring fresh new verve to it. However I am older and wiser (though my family and friends would probably tell you differently I imagine) and that "fresh" new verve in the film seems more unnerving and lazy to my weathered eyes.

Grade: C-

Knowing: I know this...

It's great when the star of a film is able to give a performance that is not only memorable, but elevates said film into something more. However there can be times when an actor's performance, like say Nic Cage in Knowing, can be so awkward and distracting that it's hard to even pay attention to the movie.

A time capsule unearthed at his son's school holds dire predictions for John and the rest of the world, one of which is that the end of life on the planet will happen soon. Will John be able to stop that prediction from coming true?

As it was pointed out to me by a good friend that saw Knowing before I did, the religious overtones in the film are heavy, even if director Alex Proyas tried to mask that by adding an extraterrestrial element to the whole thing. John (played by Nic Cage) was a broken man who had lost faith after the death of his wife, turning away from religion and family. His story arc, the road to redemption by trying to figure out just what the mysterious predictions from the time capsule meant, was a compelling one, but it was severely mismanaged via poor storytelling on the part of Proyas and the screenwriters and the aforementioned bad acting. The film seemed to become bloated and plodding when it got away from John's search for answers about the numbers or attempted to bring other characters into the mix (I love Rose Byrne but she seriously added nothing to the film). The whole relationship between John and Diana (Byrne's character) felt forced and silly at points as she took him at his word one minute then yelled at him for being a crackpot the next. The bland characters and gaping plot holes did nothing but hurt the film and if redemption and family were truly what the movie was attempting to explore, then more time should have been spent doing so and not trying to awe the audience with badly CGI'ed plane crashes. Then there's Nic Cage, whose own unique brand of acting might work for some, but clearly is not for everyone. He really was just unlikable as John, and the staccato-like unevenness of his performance could leave one wondering how the guy still gets work.

On paper Knowing seemed like a cool concept with predictions about the end of the world, creepy numbers which could help save everyone from destruction and a main character whose journey to salvation would make for a gripping viewing experience. Too bad it turned out to be another spasmodic sci-fi junker.

Grade: C-