Sunday, August 8, 2010

Kick Ass: Take it or leave it

Inspired by his love of comic books, high schooler Dave Lizewski decides to become a masked super hero himself named Kick Ass. Soon he becomes a media sensation and he inspires others to do as he has done. But his fame also makes him the target of the evil crime boss Frank D'Amico, who wants him dead.

The bright side to Kick Ass was the story of Dave Lizewski (or Kick Ass as he is known to his adoring fans). His intentions in taking up crime fighting were pure (i.e. to do good) and provided the back bone for the story. It was absorbing to watch him wrestle with the problems one always thought heroes like Spider - Man or Batman had, but never got the chance to explore on the big screen. It made him a character one could easily identify with and root for. The film got sketchy however when Kick Ass' story was hijacked by that of Big Daddy and Hit Girl. Inspired by Kick Ass, these two decided to don costumes as well and pursue vengence at one specific target, crime boss Frank D'Amico (an underused Mark Strong). Big Daddy and Hit Girl were not burdened with the sense of "doing the right thing" like Kick Ass, rather they simply went about their business in an ultra-violent fashion that mirrored the other comic book anti-heroes like The Punisher. The most unnerving part of their pursuit was the fact that Hit Girl was 11 years old, and doing and saying things that would make even The Punisher blush. It was almost surreal to see her whirl around in those John Woo inspired slow motion shots, guns blazing, spouting curse words but after a while, it became almost abhorrent and made one wish the film had continued to focus on Kick Ass' internal conflict. Instead the filmmakers tried to mask the holes in the plot with the insanity of more shoot outs and four letter bombs involving a girl who should have been more worried about getting the latest Hannah Montana cd instead of storming the strong hold of the city's most nefarious crime boss.

There was a time, years ago, when I would have lauded Matthew Vaughn's Kick Ass as a well deserved jolt to the comic book adaptation genre for it did not shy away from breaking the well worn standards of said genre  in order to bring fresh new verve to it. However I am older and wiser (though my family and friends would probably tell you differently I imagine) and that "fresh" new verve in the film seems more unnerving and lazy to my weathered eyes.

Grade: C-

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