Saturday, June 30, 2012

Underworld: Awakening - Watch it for Kate Beckinsale, that's about it.

After escaping from a long confinement Selene returns to lead her fellow vampires against a new deadly threat, humans.

As a fan of the first two Underworld films (fyi, the third one was just awful), I was pumped to see Kate Beckinsale was returning for the fourth in the series to reprise her role as Selene. Aside from pulling off the bad ass action heroine part of the role, she has also always brought a depth and believability to Selene which added to those first two Underworld films and made them something more than low-rent action popcorn flicks. Beckinsale certainly delivered again in Underworld: Awakening, kicking lycan butt, looking absolutely beautiful while doing so and still giving the role the believability it needed. What was missing from Awakening was any semblance of a serious story or an inkling of character development amongst the rest of the cast. It is true that the first two Underworld films' stories were not exactly Shakespearian in nature, but they at least contributed to the films. With Awakening, there was no substantive plot/story. It felt as though what was there plot/story-wise was filler until the next action sequence came roaring along. Ultimately, the lack of story or characters hurt the film and made it completely forgettable as soon as one pressed "stop" on their remote.

Action junkies can rejoice, Underworld: Awakening delivered all of the vampire vs. lycan battles and slo-mo shootouts that they would expect from a film in this series. But it lacked the story, characters and other elements to make it anything more than a loud, unremarkable sequel.

Grade: C-

Red Tails: George Lucas strikes again (and not in a good way)!

A group of African American pilots, who were part of the Tuskegee Airmen training program, are finally given the chance to engage in aerial combat over the skies of Europe during World War II.

You knew that since this film had George Lucas as its executive producer and it was being produced by Lucasfilm, the CGI and action sequences were going to look and sound amazing. In those aspects, Red Tails did not disappoint as the dogfights, bomber runs and other aerial action kept the audience engaged and intently watching the exploits of the squadron. However, the story and characters tried too hard to fit into the mold of all of those other Hollywood war films and came off as cliched and uninteresting. Films like Glory, which examined the first black regiment in the Civil War, worked so well because the ferocious action on the screen was accentuated by the thought-provoking storytelling and dynamic acting. With Red Tails, the story seemed out of focus, trying to deal with so many insipid and unnecessary subplots, and the characters failed to add anything more than mediocre performances.

If the story could have been reigned in to focus specifically on the bonds between the pilots and show their struggles in combat, as well as in facing bigotry from their own white counterparts, perhaps Red Tails would have been more than a standard war film which never distinguished itself from the rest.

Grade: D+

Sunday, June 17, 2012

Prometheus: It's kinda like a prequel...maybe?

Elizabeth Shaw believes she has found a clue to the origin of man. Together with other scientists and explorers she travels to the far reaches of the universe and discovers a planet that might hold the answers she seeks. But what they find on that planet could not only lead to her destruction, but that of all life on Earth.

So what should one expect from Prometheus? First and foremost, it was a visual feast. Director Ridley Scott filled every frame of the film with so many interesting things (landscapes, cool tech/gadgets, spaceships, etc.) that it was next to impossible to not keep one's eyes glued to the screen (if you have the chance to see it in IMAX 3D, I highly recommend it). Scott was also able to squeeze out as much suspense and thrills as possible  in order to keep the audience at the collective edges of their seats. While not equaling Alien in this regard, Prometheus certainly held its own against other recent science fiction films. Noomi Rapace, Michael Fassbender and Charlize Theron also provided tremendous turns in their individual roles. Where the film faltered was in its story, which aimed high content-wise, but failed to deliver any real answers to the heavy handed questions it posed. The story did not concern a bunch of space truckers being chased on their ship by a big, nasty nightmare of a xenomorph, rather it pondered just where we as humans came from (against the back drop of a number of nasty things attempting to harm the human protagonists). Were we created by the Engineers (the beings that Shaw and her co-horts discover on the planet)? If so, who or what created them? These are questions that can be tackled/explored within a science fiction film, but the script just posed them and never presented the audience with an opportunity to get enough information to come to their own conclusions. This, along with unexceptional dialogue and the fact that the story was extremely difficult to follow, left the audience feeling alienated (no pun intended) and wanting everything in the film to be just as spectacular as all of the amazing visuals they were seeing on screen.

It's funny but while getting ready to go to the theater and check out Prometheus I found myself thinking, "it's going to be great to finally see a good sequel in the Alien film series." However after the credits started rolling, I realized that my attitude (which I am sure was shared by Alien fans), was the wrong one to have. It is true that there are certain links to the original Alien universe in Prometheus (Weyland Yutani remains an evil corporation, androids are nefarious and dark haired heroines kick butt), but this film is done almost a disservice by the weighty expectations fans of the series have unfairly placed upon it.

Prometheus was not another Alien, which may be disappointing to some, but its visual flair and solid acting made it a worthy companion piece to the series.

Grade: B-