Prometheus: It's kinda like a prequel...maybe?

Elizabeth Shaw believes she has found a clue to the origin of man. Together with other scientists and explorers she travels to the far reaches of the universe and discovers a planet that might hold the answers she seeks. But what they find on that planet could not only lead to her destruction, but that of all life on Earth.

So what should one expect from Prometheus? First and foremost, it was a visual feast. Director Ridley Scott filled every frame of the film with so many interesting things (landscapes, cool tech/gadgets, spaceships, etc.) that it was next to impossible to not keep one's eyes glued to the screen (if you have the chance to see it in IMAX 3D, I highly recommend it). Scott was also able to squeeze out as much suspense and thrills as possible  in order to keep the audience at the collective edges of their seats. While not equaling Alien in this regard, Prometheus certainly held its own against other recent science fiction films. Noomi Rapace, Michael Fassbender and Charlize Theron also provided tremendous turns in their individual roles. Where the film faltered was in its story, which aimed high content-wise, but failed to deliver any real answers to the heavy handed questions it posed. The story did not concern a bunch of space truckers being chased on their ship by a big, nasty nightmare of a xenomorph, rather it pondered just where we as humans came from (against the back drop of a number of nasty things attempting to harm the human protagonists). Were we created by the Engineers (the beings that Shaw and her co-horts discover on the planet)? If so, who or what created them? These are questions that can be tackled/explored within a science fiction film, but the script just posed them and never presented the audience with an opportunity to get enough information to come to their own conclusions. This, along with unexceptional dialogue and the fact that the story was extremely difficult to follow, left the audience feeling alienated (no pun intended) and wanting everything in the film to be just as spectacular as all of the amazing visuals they were seeing on screen.

It's funny but while getting ready to go to the theater and check out Prometheus I found myself thinking, "it's going to be great to finally see a good sequel in the Alien film series." However after the credits started rolling, I realized that my attitude (which I am sure was shared by Alien fans), was the wrong one to have. It is true that there are certain links to the original Alien universe in Prometheus (Weyland Yutani remains an evil corporation, androids are nefarious and dark haired heroines kick butt), but this film is done almost a disservice by the weighty expectations fans of the series have unfairly placed upon it.

Prometheus was not another Alien, which may be disappointing to some, but its visual flair and solid acting made it a worthy companion piece to the series.

Grade: B-

Cowboys and Aliens

Amnesiac gunslinger Jake Lonergan stumbles into the town of Absolution where he not only runs afoul of the man who runs the town, Colonel Woodrow Dolarhyde, but also a group of invading aliens who are intent upon destroying everyone. Jake must rally together the people of Absolution in order to save them from destruction.

Strangely enough a film about cowboys and aliens featured a story line similar to the alien invasion action film Independence Day. In both, different groups of people (for this film gunslingers, criminals, Native Americans, regular folks, etc.) must learn to overcome their differences and fight together to defeat an invading extraterrestrial force whose purpose for trying to conquer earth was vague at best (in this film the aliens were mining the earth for a precious metal, who knew gold was in such demand throughout the universe). Both films also featured enough action to keep the audience mildly interested and engaged. Where Cowboys differed was in the big names that led its cast. Daniel Craig and Harrison Ford should have been able to provide stellar enough performances as Jake and Woodrow (respectively) to make the film something beyond a prototypical summer popcorn flick full of sound and fury but representing nothing. Ford certainly delivered, his Dolarhyde was an atypical anti-heroic turn that showed he could play a character unlike those people are accustomed to seeing him play. Craig's Jake however was hampered by a script overwrought with explosions and missing chances for him to emotionally stretch in any direction. In the end, he was all grunts or hard looks and never became someone the audience could connect with. The rest of the cast did not add much value (although Olivia Wilde was stunning as the mysterious Ella), the story stammered and stuttered as it tried to combine multiple subplots and never hit its stride and the aforementioned ending where the different groups of people banded together to fight the aliens felt hokey and forced.

Dig a little beyond the big name stars and overwhelming action and you'll find that Cowboys and Aliens was nothing more than an average comic book to film adaptation.

Grade: C 

The Thing From Another World: A Sci-Fi Classic!

When scientists in the North Pole discover something strange has crashed into the ice near their research post, an Air Force team led by Captain Patrick Hendry is dispatched to uncover just what it is. However, what they find not only threatens them, but the entire world.

Even though it was released in 1951 and contains some unavoidably dated special effects, The Thing From Another World remains a fun and intriguing film to watch. The fun comes from the way director Christian Nyby, (although most film connoisseurs will argue that the film’s producer Howard Hawks did the bulk of the directing for the film), was able to utilize the isolated setting of the Anchorage outpost (where the bulk of the action took place) to elicit a sense of claustrophobia and fear as The Thing went about hunting Captain Hendry and the rest of the cast. There was also plenty of action and crackling dialogue (a standard for Hawks - directed films) which kept the film moving at a compelling clip. The intrigue of the movie came from recognizing the impact that it has had on the sci-fi films which came after it. Movies like Alien and Aliens were influenced, both in story and iconography, by The Thing From Another World (witness the Geiger Counter employed by the Air Force men which is similar to the Motion Tracker used by Ripley and others in the Alien films as well as the desire by the Air Force leadership to capture The Thing for further study, something the Weyland/Yutani Corporation was always trying to accomplish in the Alien films). Beyond the obvious influences on modern sci-fi cinema, The Thing From Another World serves as a sort of time capsule which captures the mood of 1950’s America regarding subjects such as the Cold War and the uncertainty regarding the Space Age which had just begun.

All film theory aside, The Thing From Another World is just a tremendously entertaining film to watch.

Grade: A

Solaris: Brainy Sci-Fi at its best!

Dr. Chris Kelvin is sent to investigate what has happened to his friend and the rest of a research team on a space station that is orbiting the planet Solaris. But once he discovers the truth behind the strange happenings on board will he want to return to Earth himself?

I don’t believe that directors set out to confuse the audience with their films, confusion leads to alienation and, ultimately, an upset crowd. After viewing Solaris, I am sure there were more than a few viewers who were looking for a refund because they did not get it. They no doubt saw the name James Cameron on the dvd cover or movie poster and thought Solaris would be a rip-roaring, action packed thriller with big guns and even bigger explosions much in the same vein as Cameron’s previous films (Aliens, Terminator, etc.). Little did they realize that Cameron only produced the movie and let the director, Stephen Soderbergh, craft Solaris into a brainy sci-fi thriller more in line with a film like 2001: A Space Odyssey.

It is a shame if viewers decided to turn off the movie once they realized they were not seeing the second coming of Aliens for they missed a film that challenged them to think and react to concepts and ideas that the story introduced, an exercise missing in most sci-fi films (or films in general) nowadays. Solaris dealt with a number of philosophical questions such as what is real, are we alone in this universe and if we are not, what would those other beings we come across want from us (if anything), what does it mean to be alive, and other thought provoking issues that could cause one’s eyes to go cross if they thought about them long enough. A film like this one could easily veer into the realm of pretentiousness if its actors are not believable, thankfully the performances were strong and helped to carry the narrative along. George Clooney gave a very un - George Clooney like turn as Dr. Chris Kelvin in that he was not suave and smooth with the usual charm he is known to exude. Kelvin was a broken man, disconnected from life thanks to the suicide of his wife Rheya (an affective Natasha McElhone) , who is simply going through the motions. When Rheya suddenly reappears to him thanks to the alien phenomena on the space station that is orbiting Solaris, he has to face the feelings and emotions of their tenuous relationship (which we see via flashbacks during the film). Their relationship was the thing that kept the audience hooked and made them ponder some of those deep questions previously mentioned.

Solaris is definitely not for everyone, but you are willing to take a chance and immerse yourself in a film that forces you to work out your own answer, it is worth a look.

Grade: B