Battle: Los Angeles; Humans vs. Aliens, guess who wins?

Alien forces have invaded Earth. When they attack Los Angeles, California it's up to a platoon of Marines to stop them. But will they be able to?

Battle: Los Angeles played out like every other war film you have ever seen in your lifetime. The audience was introduced to a group of Marines, just enough so that their particular caricature (be it the shiny new Lieutenant who does not know what he is doing, the grizzled veteran Staff Sergeant who has a troubled past, the Corporal who is about to get married, the one badass female soldier (played by Michelle Rodriguez, of course), etc.) was easily recollected. Next they face the imminent threat, in this case it’s an invading alien force, which at first seems overwhelming but just might be defeated if they are able to band together and fight as a team. If you realize this is what awaits you with Battle, then you should be able to enjoy it for the action filled adventure director Jonathan Liebesman intended it to be. The film was almost like War of the Worlds meets Black Hawk Down as the Marines engaged in urban combat with the alien menace while the city of Santa Monica burned around them.

Sure, there were some obvious flaws which took the film down a couple of notches. The script, for example, seemed like it was cut and pasted together from various World War II, Vietnam and even Gulf War films and featured some rather trite dialogue and “forced” moments of emotion. Most of these emotional scenes involved the soldiers interacting with a group of civilians they were trying to rescue from behind enemy lines. But instead of making the soldiers seem more human and give them some other purpose aside from kicking alien butt, these scenes slowed down the action and felt completely out of place. Had Liebesman really wanted to get at the emotional core of the film, he should have concentrated more on the relationships between the soldiers (and he should have got another screenwriter too). Thankfully Aaron Eckhart (as Staff Sergeant Michael Nantz) worked through the cliché ridden lines and delivered a convincing enough performance to keep the audience engaged between shootouts and explosions.

Battle: Los Angeles is not another Saving Private Ryan, but the visceral thrills and nonstop action were enough to keep most entertained for its two hour running time.

Grade: B-

Machete: A muddled mess

Ex - Federale Machete is hired to assassinate a high profile U.S. Senator but when he is double crossed, he must use all of his skills and cunning to uncover the truth behind why everyone seems to want him dead.

Robert Rodriguez continued to explore his “grindhouse” film roots with Machete (his previous picture, Planet Terror started the trend and the fake trailer for Machete was shown before it), a film loaded with all of the goods one would expect to see in an exploitation (or in this case Mexploitation) piece; absurd amounts of violence and action (which got dull after the tenth time Machete chopped down a bad guy), copious amounts of T & A and a good amount of acting which would not be considered Oscar - worthy (although Lindsay Lohan can play a drug addict surprisingly well!). But therein lies the problem with the film for Machete had all of that silliness and other grindhouse - esque qualities, but it also wanted the audience to take it seriously when the story delved into its parts regarding illegal immigration. Rodriguez and co-Director Ethan Maniquis failed to strike a proper balance between mindless and thought provoking, as a result, the film felt like one of those musical mash ups that failed to connect. Yes, this movie was not meant to be seen as the second coming of Macbeth for it functioned as a sort of male fantasy film with barely clothed women, big guns and loud explosions but if that was what Rodriguez and Maniquis were going for, the story should not have tried to eek out some half - baked social statement that only served to muddle up an already unbalanced film.

Next time (cause in this age of sequels, I got five bucks that says there will be one), just let Machete do his thing and keep the social commentary on the cutting room floor.

Grade: C