The Grudge: Finally, a horror film with an effectively creepy kid (and so much more).

Before Hollywood started remaking and Americanizing Japanese horror films like Ford use to mass produce the Model T, films like The Grudge laid the ground work for the onslaught. However, unlike all the rest of those "J-horror" remakes, The Grudge is actually a good movie.

After the original caretaker is reported missing Karen, an American student, is sent to look after an older woman in a house where strange things are occurring. She has an encounter with something she cannot explain. Soon after she attempts to discover what it was she saw and what happened to the previous owners of the house.

What made the film such an effective horror picture was the fact that the scares and frights were constant throughout. A person would barely be recovered from the last terrifying situation when another would pop up out of nowhere and cause them to jump in their seat (again). The scares in the film were also effective because they were accomplished via quick cuts with the camera or editing or by creepy CGI work. The sound design also deserves special mention here due to the fact that the "death rattle" that comes from Yoko (the violent ghost haunting the house Sarah Michelle Gellar has the misfortune of being in) will haunt a viewer for days on end. Add to that Yoko's eerie staccato movements and she becomes one of those keystone horror icons that is so often immitated, but never duplicated. If the filmmakers had depended on excessive blood and gore to achieve a scare, it would have diminished the frightening parts and the movie as a whole. The Grudge also benefited from have a non – linear story presentation. By cutting forward and back in time, director Takasi Shimizu was able to show why the house was the way it was without alienating the audience with extraneous exposition. This was a great haunted house film with more scares than Jason, Freddy, or any other manic killer could muster.

Grade: B

The Exorcist: Even after twenty years, it's scary.

So why review a well known film that a person could safely assume everyone has seen? Well, the truth of the matter is some people have not seen all the movies that most film nuts would consider classics. I don't know how many times I've ran across someone who looked at me funny when I started discussing how the scenes between Yoda and Luke on Degobah changed my life (some of you are probably giving your computer screen that same look right now). Classic films can still work their magic 20 or so years after their theatrical release, and The Exorcist is certainly one of them.

Based upon the novel of the same name The Exorcist tells the story of how a young girl named Regan, daughter of a famous film actress, comes to be possessed by the devil and the attempts of her mother and two priests to rid her of the possession.

Perhaps the most disturbing aspect of the film was the possession of Regan and the way she behaved after it happened. Aside from being able to spew more curse words than a sailor, she physically assaulted those people, such as her doctors, nurses and her mother, that were trying to help her. She also performed some acts that are too horrifying to discuss in this text. The fact that all of these things were being done, by and to a little girl, made the film all of the more intense. All of the actors gave terrific performances considering the subject and content of the film, especially Linda Blair as Regan. She had the toughest task to go from little girl to possessed hellion but she pulled it off. Director William Friedkin did an excellent job of building the tension and making the audience wonder whether Regan was just physically sick or if something more sinister was taking place. Even though the novel from which the film was made was based upon a real life event, the audience was left to ponder if what the film presented could happen. And that made The Exorcist all the more frightening.

Grade: A

The Hills Have Eyes: and you need to know that this film has a nasty streak to it!

Horror films are a staple of Hollywood but recently some of them have taken on quite a rough edge to them. These uber-gore fest seem to be more concerned with inventing new ways to realistically crack a skull rather than make the audience freak themselves out by pulling the camera away just as the monster approaches its victim. The Hills Have Eyes is certainly one film that did not hold back and wanted to show you every nasty little detail of its gruesome universe.

On their way out to California, a family takes an unknown desert road in order to save time and wind up fighting for their own survival against a group of grotesque hill dwellers who have devolved into blood-thirsty monsters.

If a gritty, no-holds-barred, gore-fest is what you’re in the mood for, then The Hills Have Eyes is for you. This re-imagining of the original low budget Wes Craven classic was so intense and unflinching when delivering its visceral ferocity that even the most harden horror film fanatic might have to turn away at points. The absolute beauty in which the film was shot only heightened the grisly nature of “The Hills”. The desert became something of an alien landscape, further hindering the family and aiding the hill dwellers. Unfortunately the film spoiled its opulent look by failing to capitalize upon it and tell an equally stunning story. These characters and the film's plot have been done to death (not only because it was a remake) by a million other directors and writers. It seems the only way to put a unique spin on a horror film anymore is to see how bloody you can make it, damning the characters and story to the background or sometimes dispensing with them all together. There was no grey area in the film, there were good guys (Bobby, Doug, Brenda, etc.) and bad guys (the hill dwellers), but to make an audience take a journey with those good guys it would have been worthwhile to make them believable and human instead of cardboard and clichéd. That didn’t happen here so when you get down to it, The Hills Have Eyes was nothing more than a faux snuff film that some of the ADD generation can watch over and over again in order to see their favorite death scenes.

Grade: C-

The Descent: (or why I'll never go into a cave ever again!)

Today's film audiences have acquired a sort of "seen it all, heard of it all" attitude toward movies and this is especially true in the horror genre. Think about the number of Friday the 13th, Nightmare on Elm Street and Halloween movies you yourself have watched. Now think about how pedestrian the scares and chills have become as each successive sequel has come out. You might start to wonder if there are any films out there that can actually scare you? I think this one might do the trick.

A year after a tragic event, six friends decide to go caving. However after they become trapped in those caves, their friendships are tested as they must struggle to find a way out and also face a horrifying terror that unknowingly stalks them.

Writer/director Neil Marshall was able to turn what could have been a cheesy and predictable horror flick into an absolutely terrifying white knuckle experience that had the audience pinned to their seats until the final credits rolled. He was able to do this by first creating a group of characters that the audience could identify with and feel for. It’s true that the group of friends was comprised of all women, but they were far from damsels in distress. Each had their own uniqueness and held their own against not only the natural elements, but the evil creatures they encountered. Marshall, paying homage to Ridley Scott’s Alien (an obvious influence on the film), only gave the audience noises and quick glimpses of those creatures in the early parts of the movies, building the tension to an overwhelming degree until they finally appeared and scared the bejesus out of everyone (cast and audience). The audience was so unnerved and on edge throughout due to not only the lack of light in the caves, but their cramped nature as well (claustrophobics need not apply for this one). The Descent will make you sweat, laugh, cringe, scream and everything else a good horror film should.

Grade: A