Due Date: Nothing funny about this one

Peter has a problem. Thanks to an unfortunate set of events in the Atlanta airport, he is placed on the “no fly” list and unable to make to back to Los Angeles to be with his pregnant wife. He reluctantly accepts a ride from Ethan, the man responsible for his troubles at the airport, and begins the cross country trek with the hopes of getting back to see the birth of his first child.

Director Todd Phillips is to be commended for trying to break from his gross-out comedy past with Due Date. The man responsible for Frank the Tank in Old School and the ultimate Vegas movie in The Hangover wanted to take those same over-the-top ideas and blend them with some serious emotional stuff for his main characters to deal with in his new film. Regrettably, the result was a movie that was neither funny nor emotionally fulfilling. Robert Downey Jr. did his best to try and bring something memorable to the screen in his role as Peter, an architect with some “minor” issues, and to be honest, his bits were the funniest. They were the funniest because his anger was usually directed at Zach Galifianakis, who played Ethan, and Ethan was so grating and distracting that one wished Peter would have left him on the side of the road and continued his journey home by himself. Ethan was so hard to stomach that it made no logical sense for Peter to stick around him, let alone befriend him, but three quarters of the way through the film it was like a switch was flipped (or rather the duo enjoyed using some recreational narcotics), and they were best buds. Those serious issues that Phillips wanted to explore (dealing with the loss of a parent and impending fatherhood) got lost in the shuffle of a bad note buddy road film that never really got going.

As a result, Due Date was an uneven, unfunny mess.

Grade: D

Iron Man 2: Another average sequel

Tony Stark, aka Iron Man, has made the world a safe place again. But his days of being a superhero might be cut short after he is asked by the US Government to hand over his incredible suit and its technology. He also faces the threat of a new villain named Ivan Vanko, who teams up with one of Stark’s corporate rivals in order to destroy not only Stark Industries, but Iron Man himself.

Credit needs to be given to director Jon Favreau, screenwriter Justin Theroux and Robert Downey Jr. for they tried to further develop the character of Tony Stark and make this sequel stand out in its own way. Downey still played him like the narcissistic ego-manic with a good heart and a desire to make the world a better place that audiences could not get enough of in the original but there was also a tinge of self-destruction to him this time around. Stark looses faith in himself and his ability to be the hero the world expects him to be, and Downey was able to portray this devolvement masterfully. The audience felt the weight of the world on Tony’s shoulders, when they weren’t busy chuckling at his sharp witted retorts, and for an actor to accomplish a feat like that in a comic book adaptation is remarkable. Another enjoyable aspect to the film was the relationship and interplay between Downey’s Stark and Gwyneth Paltrow’s Pepper Potts. Their snappy dialogue and crackling chemistry provided plenty of laughs and tender moments. However these juicy bits of character development and intrigue were overcome by an inordinate amount of tedious backstory which made the film drag and the audience loose interest. Add to that a couple of lackluster villains in Justin Hammer (an uber sleazy Sam Rockwell) and Ivan Vanko (Mickey Rourke, who looked like a ghetto version of Dr. Octopus when he had his suit on), some mediocre action sequences (including the final showdown between Iron Man and Vanko which redefined the term “anti-climatic”), plus Scarlett Johansson's lack of any meaningful screen time (we only get to see her kick butt for a minute or so) and you get a so-so action film which wasted the efforts of its two greatest assets, its lead actors.

It’s true that Iron Man 2 is supposed to serve as a sort of pre-cursor to a number of other Marvel comic book film adaptations that will be heading to the big screen in the coming years, (Thor, Captain America and The Avengers to name a few), but setting up all of these other characters and stories could have been accomplished without watering down Iron Man 2 so much that it became more of a tedious exercise than a good old fashioned popcorn flick like the original was.

Grade: C

Sherlock Holmes: More brawn than brains

Another day, another reboot. This time around it's the erstwhile detective from the Sir Arthur Conan Doyle novels that gets the Hollywood retreatment.

The game's afoot as the brilliant detective Sherlock Holmes and his faithful sidekick Dr. John Watson tackle another mystery. The nefarious Lord Blackwood has apparently risen from the grave after he was hung. He intends to create a new world order in which he and his evil group will rule. Can Holmes and Watson stop their seemingly supernatural adversary?

While this reimaging of Sherlock Holmes and Dr. Watson might be missing the usual verbal hyperboles such as "elementary my dear Watson," the fashionable deerstalker hat that became a costume trademark of Holmes during the Basil Rathbone films of the 1940's and a plausible mystery which an audience had a chance in hell of figuring out, it did feature a number of good things. Robert Downey Jr. excelled in the title role, creating his own unique take on the classic detective. He was a scatter-brained sleuth who could cleverly deduce the evil plans of a villain before thoroughly kicking his butt and describing how he was going to do so in detailed fashion via internal monologue and oh so cool looking slo-mo shots (the boxing match in the middle of the film is a prime example of this). His interaction and chemistry with Jude Law (as a tougher than nails Watson) gave the film a much needed emotional backbone. Director Guy Ritchie infused Sherlock Holmes with his signature visual style of quick cuts, slick editing and fight sequences which were extremely intense. For all of its imagistic bluster however, it felt as though he sacrificed too much of the story and Holmes' intellectual persona, a persona that audiences are accustomed to seeing from the Holmes character, in favor of more brawls, scraps and explosios. Lord Blackwood's evil plan for world domination seemed to have gotten lost between the fisticuffs and the subplot of Watson's plans to walk away from the mystery solving gig in order to wed his lady in waiting Mary (and Holmes many attempts to stop Watson from leaving). There was so much going on and so many holes in the plot that when the audience got to the climax of the film, they might not have been entirely sure just what Blackwood was trying to do or how Holmes was going to be able to stop him.

Sherlock Holmes might have been more brutish than brainy, but it was still a lot of fun to watch.

Grade: B-