Contagion: You will want to wash your hands after this one!

As  a deadly outbreak of an infectious disease threatens to annihilate mankind a global team of doctors and scientists struggle to not only discover where the disease came from, but also how to stop it.

The first half of Contagion leaves one absolutely petrified. Director Steven Soderbergh essentially dropped the audience right into the action as they are introduced to Beth Emhoff (Gwyneth Paltrow), barely given the chance to know who she is or anything about her before she experiences a seizure and dies from the mysterious disease which subsequently starts taking lives all over the world. It was the cold, almost documentary-like style in which Soderbergh shot this, and the realistic reactions taken by the men and women of the various health organizations (a cadre of mega movie stars including Laurence Fishburne, Kate Winslet and others), that could not help but send shivers down the audience member's spines (and have them reaching for a bottle of Purell, as they remembered all the things they touched the last time they were in public). Soderbergh was able to leverage the audience's own fears of a virus like the one in the film possibly appearing in real life and utilized it to  make that first half of the film more horrifying than any slasher film Hollywood has put out in a long time.

It was in the last half of the film when Contagion seemed to loose steam as the plots and sub-plots wore the narrative too thin, pulling the audience in too many different directions. There was no way that the suspense and terror so readily available in the first part of the film could have been sustained for the entire running time but it almost felt like, after a certain point, Soderbergh and screenwriter Scott Z. Burns decided to stop pressing on driving the important parts of the story such as the cure being administered to the survivors as well as the how and whys as to the origin of the virus (the origin was explained/shown but almost as an afterthought near the conclusion of the film) and tried to tie up all of the uninteresting/unimportant threads of the story.

For a good hour or so Contagion gave one an all too realistic look at the world should it ever face a viral epidemic, it's just a shame it could not provide a worthy conclusion to that terrifying start.

Grade: C+

The Adjustment Bureau: The choice is yours (maybe!)

Politician David Norris is on the brink of winning a seat in the U.S. Congress when he has a chance encounter with a beautiful ballerina named Elise. As David begins to fall for her he realizes that there is a group - The Adjustment Bureau - who will do everything in their considerable power to keep them apart.

While The Adjustment Bureau attempted to mirror the “Bourne” films which Matt Damon starred in, it lacked the dynamic action and comprehensiveness in story/plot that made those movies modern action classics. This is not to say that it was not a good film, Damon was certainly convincing in his role as David Norris and he shared excellent chemistry with Emily Blunt’s Elise Sellas. That chemistry was important if the audience was to buy into their characters and the struggles they went through to fight against “the plan” that the evil (or maybe not, guess it’s how one views the film as a whole) Bureau had for them. The plot for the film (it was based upon a short story by Philip K. Dick) presented quite an interesting twist for a sci-fi action story as it made the audience ponder if humans can choose their own fate or if everything was predetermined in their lives. It's rare for the audience to have to think at the multi-plex nowadays, so this thought provoking story was a nice surpise. Writer/Director George Nolfi did his best to not only keep the audience engaged in the complexity presented with the story but also ratcheted up the tension and blended in some (but not enough) action while at the same time building the bond between David and Elise, however he neglected to give the fedora wearing members of the Bureau any depth and left many things regarding their role in the universe of the film unexplained.

Ultimately The Adjustment Bureau provided the audience a change in pace with its provocative story but lacked the action to make it a memorable sci-fi thriller.

Grade: C+ 

Green Zone: You might not like what you see

A word of advice for those of you checking out this film. It is not another "Bourne" movie. Green Zone took on topics much closer to reality than a super soldier who lost his memory.

Army Chief Warrant Officer Roy Miller is sent out to find weapons of mass destruction in the provinces of Iraq after the overthrow of Saddam Hussein. When the intell he and his troops receive fail to uncover anything, Roy sets out to discover why. The answers he finds lead him into a world of lies and cover-ups perpetrated by factions within the U.S. Government.

It is rare to find a film that not only provides excellent action but also has the courage to make a meaningful statement, Green Zone is one of those films. Director Paul Greengrass delivered the same kind of frenetic, hand-held camera shot action pieces audiences have grown accustomed to seeing from his previous work on the last two "Bourne" films. Matt Damon was solid as Roy Miller, a soldier whose singular focus on discovering the truth about the weapons of mass destruction propelled the story and kept the film moving. But where Green Zone distinguished itself from other action thrillers set during the second Iraqi conflict was in its portrayal of the U.S. Government. Inspired by true events or not the film painted quite an unflattering picture of certain Government agencies. Those agencies, the CIA and Defense Intelligence, bickered amongst themselves as each attempted to weld power and create an Iraq that they could control. The question of if the United States even had real intell to justify invading Iraq to overthrow Saddam was posited in the film as well, further pushing American viewers out of their comfort zones of believing their Government had nothing but the noblest of intention when freeing the Iraqi people. Clearly this depiction of events might upset some viewers but one has to admire the statement both Greengrass and Damon were trying to make. Green Zone was not just some action film filled with funs and explosions but a complex war thriller with loftier aims of making the audience face some truths they might not have wanted to.

Grade: B

Run Lola Run: An international adrenaline rush.

Another lesson I took away from my film classes was that one needed to expand their viewing habits and see what kind of movies the rest of the world had to offer. Sure you might have to deal with subtitles but if the movie is good, like Run Lola Run, you can be entertained none the less.

Time is running out for Lola. After receiving a frantic phone call from her boyfriend Manni, who explained that he lost 100,000 marks of mob money, she has twenty minutes to somehow replace the money or Manni will pay dearly. With the clock ticking, Lola has few options and must choose the right one or watch Manni suffer the consequences.

Rather than having a traditional straight-forward Hollywood type narrative the film featured a unique narrative structure in which multiple possibilities of how Lola and Manni’s story would play out were shown. To go along with its distinctive narrative, the film also featured a rapid pace and non-stop action as Lola fought through numerous obstacles to try and obtain the money. The use of quick cuts and edits as well as a driving soundtrack also kept the film moving at a break neck pace. At the core of the film was the romantic story of the two main characters. Lola, played by the beautiful Franka Potente who played Matt Damon's love interest Marie in the first two Bourne movies, was out to save her Manni no matter what. If she had to move the mountains, rob a store or even talk to her uninterested father, she would. The love they shared for one another was what made the entire plot plausible and no doubt struck a chord with some viewers as they wondered how much they would do for the love of their lives. Run Lola Run was a pure adrenaline rush of entertainment.

Grade: B

The Bourne Identity: The spy thriller reborn.

Back before Daniel Craig donned the tux and became 007, the cinema world was suffering through Pierce Brosnan's smug take on the role. Not only that, but the Bond movies back then were loaded down with "death rays" and cliched villians and seemed almost laughable. Enter Matt Damon and The Bourne series, whose realism and emotional depth made the spy genre matter again. So much so that if you look at a Bond film now you can see the Bourne influences.

A man is pulled from the sea with two bullet holes in his back and a case of amnesia. He comes to discover that his name is Jason Bourne and he has a violent past. With the help of a woman named Marie he hopes to uncover the truth behind his extraordinary abilities, and the reasons the U.S. government is so anxious to hunt him down.

Most spy thriller films tend to focus on action, be it hand to hand combat or exotic weaponry that the hero or villain employ. While The Bourne Identity contained a number of fierce fight sequences and an insane car chase, the main focus was on the story of Jason Bourne and his attempts to discover who he was. Bourne was not some suave secret agent that slurped martinis while spouting cheesy one-liners after he offed a bad guy. He was an intelligent, resourceful man looking to regain control of his life. To go along with having an uncommon spy as the hero the film also boasted a touching love story between Jason and Marie. Whereas in other spy thriller genre films in which the hero simply beds the lead actress because she was there, the romance between Jason and Marie did not feel forced. They came to care for one another and shared a terrific chemistry. The film had a heart to go along with the great action and intriguing story and was a distinctive entry in the spy thriller genre.

Grade: A