Horrible Bosses: Good for a few laughs

Nick, Dale and Kurt are all miserable at their jobs thanks in large part to their bosses. One night, after drinking heavily, they come up with a plan to eliminate them. They even go so far as to hire a murder consultant to help them go through with the evil deeds, but will they?

Taking its cue from the Alfred Hitchcock classic Strangers on a Train (or the Danny DeVito classic Throw Mama from the Train if you believe Dale), Horrible Bosses attempted to give the audience a comedic look at three guys trying to enact the ultimate scenario for those people that cannot stand their boss. Most of the laughs in the film were provided by those horrible bosses, which included Kevin Spacey, Colin Farrell (who did not get nearly enough screen time as Kurt's cracked out boss Bobby) and Jennifer Aniston. Aniston in particular was hilarious as Dale's maneater of a boss Julia for the character was so unlike the "good girl" character she usually plays that every nasty comment that came out of her mouth (and trust me, there were a lot of them) was all the more shocking and funny. Jason Bateman and Charlie Day pitched in with some comedic gems of their own (Jason Sudeikis was just as slimy and unlikable as his boss Farrell) but the film failed to be anything more than a mean-spirited comedy with little to offer beyond its last gross-out gag or sexually charged line from Aniston.

This is not a bad thing, sometimes it's nice to just turn off one's mind and giggle at the insanity happening on screen but if you are looking for a comedy with layers and depth, Horrible Bosses is not the film for you.

Grade: C 

Superman Returns: And what a return.

In this day and age of constant Hollywood adaptations of classic comic book heroes a relaunching of one of the most popular, Superman, seemed like a sure fire box office smash. But when this film was released, it was met with mixed emotions from fanboys and critics alike. But unlike most superhero films, Superman Returns shines.

After a five year search for his home planet, Superman returns to earth. However he finds a great number of things have changed. There are some people that think the world does not even need him around anymore. But when his arch enemy Lex Luthor hatches an evil plan to destroy billions of lives, Superman will once again take up the mantle as protector of the planet.

In re – launching the Superman franchise, director Bryan Singer made a wise decision to not simply retell his origin and rehash what was covered in the first Superman film. Instead, Singer and the film’s screenwriters used the story of his return to ponder, in a broader sense, if the world truly needs superheroes at all. He then set about filling the screen with impressive action, treating the audience to the whole menagerie of Superman’s powers and resplendently composed shots which could take their collective breaths away. Some true action fans might have been disappointed that there was not more fighting and henchman butt – kicking in the film but what separated this film from other recent comic book to film adaptations (and made the first two X-Men films which Singer directed so good) were the directors’ ability to make those quiet moments in the movie so human and sincere. Yes the audience got to see Superman fly around, save lives and other spectacular feats, but that also got to see him interact with Lois Lane as they tried to hash out their personal relationship and grapple with the inner turmoil of trying to be the earth’s savior again. It was those quiet moments which made the return of Superman a film to remember. The lack of enough action could have also been due to the main villain of the movie. Kevin Spacey effectively tore up the screen as Lex Luthor, giving him the kind of snobby flair the character demanded, but his evil plan to destroy the world felt feeble and made Luthor look like nothing more than an evil land developer and not a proper nemesis for The Man of Steel.

Grade: B