Act of Valor: Real action with real American heroes

After a covert CIA operative is kidnapped by a dangerous terrorist cell a group of Navy SEALs is dispatched to rescue her. They discover that her kidnapping was part of a bigger terrorist threat, one that looks to inflict terrifying damage to the United States.

What sets Act of Valor apart from other Hollywood action films is the fact that the leading and supporting roles are played by active duty Navy SEALs. This fact certainly aided in the films' action sequences, which were tense and stunning. Since there were no "actors" playing the lead and supporting roles, and the filmmakers chose to shoot the film in a documentary - style fashion, one could not help but feel as though they were on the ground with the SEALs fighting terrorists or rescuing the kidnapped CIA operative. The language used, the equipment and weaponry employed all added a touch of realism that made the action all the more impactful and real. Where the film lost steam was when the SEALs were asked to act. The way they delivered their lines when they were discussing things other than the mission left much to be desired (but one honestly cannot fault them for that, after all they are not trained actors). The clunky script and predictable story did not help matters either.

The film was never going to blow the audience away with Oscar worthy performances by the cast or dazzle critics with the complexity and depth of its story. It was a film which tried to give the audience a realistic look at the actions, emotions and sacrifices made by real soldiers every day. Act of Valor did that.

Grade: C+

Red: Fun for all ages.

Ex black - ops CIA agent Frank Moses has settled into retirement and finds it to be less than what he expected. That all changes when assassins try to kill him and Sarah, the woman he loves. In order to settle the score and figure out the reasons why he is being targeted, Frank reassembles his old black ops team and they get back to work.

The best part of the film was watching a group of supremely talented actors take what could have been a very pedestrian action comedy and turn it into a breezy, enjoyable and ultimately satisfying movie experience. John Malkovich was convincing and hilarious as the paranoid/crazy Marvin, Helen Mirren changed it up and played the 50 cal machine gun blasting badass Victoria, Mary Louise Parker was delightful as Sarah, the “desperately seeking excitement” muse to Frank (played by Bruce Willis). Willis’ performance in particular stood out for he brought an emotional depth to Frank which most of his recent action roles have been missing. The story chugged along, minus a few dull spots here and there, at an agreeable pace and succeeded in either keeping the audience entranced with stylish action sequences or chuckling with delight at the antics of the Retired Extremely Dangerous agents.

Not as hardcore in tone and action as The A-Team or outlandishly ridiculous as Salt, Red found a good balance of both gun play and one liners to make the two hours the audience spent with it a fun time.

Grade: B

Salt: Been there, Seen that.

When she is accused of being a Russian sleeper spy by a defector, CIA agent Evelyn Salt goes on the run and tries to stay ahead of the Government agents who are pursuing her. In her quest to clear her name she uncovers a conspiracy that threatens to push America and Russia to the edge of war.

Who is Evelyn Salt? This was the question that was posed throughout the film and the plot device that drove the story forward. For the most part however, Salt wanted the audience to be aware of this storyline only on the surface and chose to focus more on the number of ways that Angelina Jolie could look badass either by utilizing heavy weaponry or punching someone’s teeth out. Jolie pulled off the physical stuff without breaking much of a sweat, making Evelyn Salt the kind of female CIA agent you did not want to cross paths with, but her story and her efforts to clear her name, save her husband and unmask the true conspiracy behind why she was accused of being a Russian spy got lost in the shuffle of fist-fights, car chases and other action sequences that the audience had seen before (and in better movies). Without that emotional core to the story, the film just felt like another mindless actioner and Salt's quest, while visually thrilling, rang hollow. An example of this would be Salt's relationship with her husband Michael. The audience was never shown the particulars of that relationship (because trust me, they didn’t just meet up via eharmony) so when his ultimate fate was revealed, their reaction was undoubtedly like Salt’s (unemotional and uninterested).

There was a definite feeling of “been there, done that” after the credits started rolling on Salt so if you are looking for a half-hearted attempt at an action thriller that will deliver at least entertainment on the surface, check it out.

Grade: C

The Losers: It's like The A-Team lite

After their handler Max sets them up and tries to kill them a group of CIA operatives go into hiding in order to plot their revenge. Their chance to settle the score arrives with the appearance of a mysterious woman who offers them the opportunity to capture the elusive Max. But can they trust her?

The Losers did not carry the darker tone of some of its comic book adaptation brethren. The characters were not gloomy, brooding types that dressed up like winged creatures or awkward teenagers that were bitten by radioactive spiders. They were a group of regular people, albeit regular people who happened to be highly trained CIA operatives. In this way, the film felt less like a comic book film and more like an ordinary action thriller. Between comedic quips about how their boss Clay always fell for women that were “volatile” and the usual cool swagger that one would expect to see from a group of CIA guys with nifty codenames such as Roque, Cougar, and Pooch, there were a myriad of stylized action sequences which capitalized on their comic book source material be more outlandish than run of the mill and keep action junkies satisfied (for an example of this, see the ending showdown between Clay, a motorcycle and a plane). Chris Evans shined in his role as Jensen, providing the bulk of the laughs with well-timed smart ass remarks, Zoe Saldana sizzled as Aisha and Jason Patric almost stole the show as Max, channeling all of the best bits of all those old time James Bond villains with just a tinge of Dr. Evil kookiness.

It is certainly not going to evoke comparisons to The Dark Knight or other heavier comic book films but The Losers does its part by keeping you entertained for about an hour and a half.


Grade: C

Black Dynamite: He's superbad, He's out of sight!

When his younger brother is murdered, former CIA agent Black Dynamite swears vengence. His pursuit to discover the killer leads him into a deeper conspiracy that not only threatens him, but his friends and neighborhood as well.

Just as the Austin Powers movies playfully paid homage to a specific genre of film, (the spy/secret agent film), Black Dynamite paid homage to a film genre, the blaxploitation films of the 1970’s. And what a tremendously entertaining homage it was, full of camp, action, martial arts and one bad dude in Black Dynamite. Michael Jai White played the title character to the hilt. Dynamite had the muscle to back up his promises to find the people responsible for his younger brother’s death, clean up the drug infested streets, plus the smooth game to make any woman his. The fact that White played the part seriously made one want to laugh even harder at his exploits. Everything else one would expect to see in films like Super Fly or Foxy Brown (two blaxploitation classics) was featured prominently in Black Dynamite as well. There was a conspiracy by “The Man” to hold the black community down, colorful characters with imaginative names that incited uncontrollable giggling, (Chocolate Giddy-Up and Cream Corn were two of the better ones), and the kind of street slang that only makes sense when the characters spouting it are decked out in wide-lapelled mack daddy suits that all of the cool cats sported back in the decade of disco. Even if a person was not familiar with the movies White (who co-wrote the script) and director Scott Sanders were lampooning, there was still plenty which could keep them laughing hysterically. Boom mics appeared in frame at random points, actors that were present at the beginning of a fight scene were suddenly replaced about halfway through by another actor who, although wearing the same costume, looked nothing like the first actor, the final showdown featured Black Dynamite facing off against Richard Nixon (no joke!), heck there was even a catchy refrain of “Dynamite, Dynamite” sung every time Black Dynamite would dramatically walk into a room or take out another jive turkey.

Hands down Black Dynamite was a fun film which reminded the audience that sometimes a little silliness can go a long way. Can you dig that suckas!

Grade: A-