Spring break is in full effect at Lake Havasu as partiers take to the water. But when an earthquake releases a pack of ravenous piranha into the scene, things take a turn from fun to deadly.
For at least parts of the film (albeit very small parts), Piranha seemed like it was heading in the right direction with its tone, story and scares. There were quick flashes of wit and humor (which were usually provided by Brooklynn Proulx and Sage Ryan, the two youngest actors in the movie), respectful nods to the original Piranha which inspired this remake and decent bits of acting (or overacting in the case of Jerry O’Connell). It was when director Alexandre Aja decided to turn up the gore factor that Piranha became a tired and clichéd hackney creature feature. Rather than build tension and only give the audience hints about all the horrid things the little fish were doing to their victims, Aja hit them over the head with scene after scene of graphic violence. The main attack that the nasty little title characters inflicted on the various spring breakers near the end of the movie was almost pornographic in its violence, so much so that the audience had to either laugh the whole thing off as utterly ridiculous or turn the film off altogether in disgust. Let’s not even go into the “3D” aspects of the film, which were distracting, underwhelming and awful to say the least.
Films like Piranha shine a true light on the sad state that the horror film genre is in these days with its unoriginality, brutality and silliness.
Grade: D
Saturday, February 26, 2011
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