Frederic is a happily married man who can’t resist engaging in harmless flirting every once in a while. However when he runs into an old acquaintance named Chloe and starts spending afternoons with her, their rekindled friendship turns into a longing that could destroy his happily married life.
Writer/director Eric Rohmer was able to craft an absolutely stunning and perceptive morality tale centering on human romantic relationships, one that was not afraid to tackle questions like; “how can a man love only one woman” or “is it possible to love more than one woman at the same time,” questions that typical Hollywood films tend to gloss over with predictable plot twist or unbelievably silly compromises in story. Frederic (the man torn between his wife and the title beauty) had a life and set of circumstances which wavered a bit on the male fantasy side at points, but it was his constant re-examination of life and relationships with both his wife Helene and Chloe which made him easy to associate with, and also human.
French New Wave films from the 1970’s, like Chole in the Afternoon, might not be everyone’s cup of tea, specifically because they are not like The Break Up or any of those million other crappy romantic films that overrated Hollywood actresses like Jennifer Aniston put out. So those expecting cutesy endings or loveable best friends of the main character delivering oh so subtle sexual quips might be disappointed that there are none to be found. The honesty with which Frederic and Chloe discussed polygamy and monogamy might have seemed shocking to some, but it was that candor which made Chloe in the Afternoon a raw experience and a worthwhile venture into the meaning of love, happiness and companionship.
Grade: A
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