Mission Impossible: Ghost Protocol: Your mission, should you choose to accept, is to check this film out!

Agent Ethan Hunt returns to face another terrifying threat. After the IMF is shut down and implicated in the bombing of the Kremlin, Hunt and the members of his new team must go rogue to hunt down a dangerous terrorist named Hendricks who is not only responsible for framing them for the bombing, but also plans to launch a nuclear strike on the United States.

From the moment it starts, the film barley lets off the gas, giving the audience a multitude of amazing action sequences, car chases, tense moments, close calls and laughs. In comparison to the last couple of Mission Impossible films, this one felt more in line with the set up and spirit of the original television series. There were plenty of cool gadgets and other technology used by Ethan and his team but not so much that they overwhelmed the story. The most refreshing aspect to this chapter in the Mission Impossible film series (and the thing that spurred the comment about a return to the spirit of the original television series) was the fact that the story was not all about Ethan. It is true that he was the main hero of the film (I mean, Cruise did produce it so it's only right), but he was dependent upon the rest of the team to help him stop Hendricks and foil his nefarious plan of nuclear armageddon. Each one of the team members (which included Jeremy Renner, Paula Patton and the always hilarious Simon Pegg) was able to provide a terrific performance. Heck, Cruise even provided a very effective turn as Ethan, giving him an emotional depth and maturity that seemed to be missing from the previous Mission Impossible films.

Mission Impossible: Ghost Protocol pulled out all of the stops to not only be a thrilling action film but also distinguish itself from the other films in the series. The result was a terrifically entertaining blast of action flick goodness that everyone will enjoy.

Grade: B+ 

The Muppets: A perfect family movie

When Kermit and the rest of the Muppets learn their beloved theater is slated for demolition so the evil Tex Richman can take all of the oil underneath it, they team up with their new friends Gary and Walter to do one more show in order to raise enough money to save it.

In a world full of unnecessary remakes, daft films about vampires that glitter in the sun (yes, I took a cheap shot at the Twilight series) and other puerile junk that lack any redeeming value of any type, it's hard to find a film that is not only able to entertain an audience, but also just make them feel good once the end credits start rolling. A film that can make one laugh, think and (maybe even) cry due to its sincerity and simple message. Thankfully, The Muppets provided all of those things and more. The story of Kermit and the rest of the gang getting together to do one last show in order to save their theater was not meant to blow people away with a complex plot, abundant special effects or excessive amounts of inappropriate humor (that's not to say there weren't hilarious parts throughout because there were plenty of those), rather it simply wanted to show that if one believed in themselves as well as their friends, anything (including defeating an evil oil tycoon in Tex Richman), is possible. I think we live in such a cynical age anymore that messages like that get lost in the overwhelming swirl of reality television, the internet or any of the other modern trappings that seem to rule our lives. Hopefully children who view this movie will take this lesson to heart, and their parents (or any other adults, teenagers, etc.) will as well.

The Muppets was a fun movie that not only kept the audience laughing, singing and smiling, but also delivered the kind of message that made a person feel good walking out of the theater or pressing stop on the blu-ray player.

Grade: A

Immortals: Not the Sword and Sandal Epic You Were Hoping For

The evil King Hyperion hopes to find an ancient mystical weapon that will help him free the dreaded Titans and overpower the Gods. Standing in his way is Theseus, a mortal man chosen by the Gods to stop him.

In their quest to give the audience the kind of slo-mo, ultra brutal action that helped to make "300" such a memorable film, director Tarsem Singh and the rest of the production team forgot a couple of very important things, namely a viable story and believable characters. The story of Theseus had the chance to be one of inspiration, showing the audience that even a mortal man could make a difference against a great evil. Instead, Tarsem and the screenwriters felt it was more important to simply overwhelm the story with action sequences that were a little too similar to "300" (and not nearly as visceral or thrilling) and a plethora of bland characters. Henry Cavill certainly gave his all in the part of Theseus and made his best efforts to keep the audience interested in what was happening on screen but the rest of the cast was either sadly under-utilized (seriously Freida Pinto could have done so much more than stare longingly at Henry), woefully miscast (Mickey Rourke as a King? Not buying it, even for a second), excessively whiny (Luke Evans played Zeus as if he were a bratty teenager) or were just there to take up space.

By the time the film was over, and all of the visual flair and pseudo-extravagant action had finished, one almost forgot just what Immortals was about for it had no real story or characters, making it just another "300" wannabe.

Grade: D+ 

The Girl with the Dragon Tattoo: If you think the poster is shocking, just wait till you watch the film!

Disgraced journalist Mikael Blomkvist is hired by a wealthy businessman to investigate the disappearance of his grandniece. However she disappeared over forty years ago and the trail is somewhat cold, so he begins working with an investigator named Lisabeth. Together they uncover clues that could not only lead them to the grandniece, but also shed light on a series of murders with possible connections to her disappearance.

The Girl with the Dragon Tattoo was not an easy film to watch. The gritty crime thriller, directed by one of the modern American auteurs in David Fincher and based off of the international best selling novel of the same name by Stieg Larsson, deals with Mikael and Lisabeth's investigation of  a girl's disappearance forty years ago. Along the way, they encounter a number of unsavory characters trying to hinder their attempts to uncover the truth. These unsavory characters, and the dilemmas they present to Mikael and Lisabeth, are what make for some of the more intense scenes of the film (those scenes between Lisabeth and you court appointed guardian Nils are almost unbearable, especially for women). Fincher never shied away from showing these things on screen, but he also never overindulged in the gritty stuff, thereby making those scenes all the more effective and shocking. Those scenes serve specific purposes to the film as a whole and are therefore integral.

The mystery the duo are trying to solve was complex and overwhelming at points, given the long list of suspects as well as the cryptic clues, but this only served to reel the audience in deeper into the film. Fincher was also able to lean on his actors to draw the audience in emotionally. Daniel Craig was sturdy and believable as Mikael, giving him a more physical presence than Michael Nyqvist did when he played the part in the Swedish version of the film. Rooney Mara was an absolute revelation as Lisabeth. She was haunting and delicate at points but able to turn into a fierce women who was ready to fight in an instant. It was impossible to take one's eyes off of her when she was on screen for you never knew what she was going to do. Individually, these two were interesting enough but when they joined up to work together and solve the mystery, it was beyond fascinating to watch. Their scenes together were played with an appealing awkwardness that kept the audience wondering just what was developing between the two of them.

The Girl with the Dragon Tattoo was a classic who-dunnit thriller with an entertaining edge sorely missing in most Hollywood films nowadays.

Grade: A